WELCOME TO OUR
Coastal Sculpture - Virtual Exhibition 2020
In these unprecedented times, from the compfort of your home, we hope you enjoy our virtual exhibition!
ALL SCULPTURES ARE FOR SALE
We hope you are able to support our sculptors and add to your home sanctuary all at once xxxx
Please contact us below or phone/text the secretary on 0400 436 308 for sale enquiries
PLEASE NOTE THAT THESE PRICES DO NOT INCLUDE POSTAGE/DELIVERY COSTS xxxx
ALL SCULPTURES ARE FOR SALE
We hope you are able to support our sculptors and add to your home sanctuary all at once xxxx
Please contact us below or phone/text the secretary on 0400 436 308 for sale enquiries
PLEASE NOTE THAT THESE PRICES DO NOT INCLUDE POSTAGE/DELIVERY COSTS xxxx
Chris Hoggard
Collaboration by David Hobday (glass) and Rowan + Cinnamon Stephens (copper)
No longer available
Orders taken
Catherine M Brennan
The Peppered Moth is an early test of Darwin's 'natural selection' in action. The directional colour change in the moth population was due to the air pollution during the Industrial Revolution. The number of dark coloured moths increased at that time. Later, when pollution was reduced, the light-coloured form predominated.
Jan Verouden
Marina Andersen
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Cinnamon Stephens
Avys Hope
Laurie Close
Geo Francis
Marion Smith
Kerrie Bedson
Betty Collier
Maggi Jean
Sue Corbet
Rowan Stephens
Minerva Lamorgese White
Birds in Stripes are a family of funny character sculptures inspired by native birds, created to bring vivid colors and friendly company as a home-decor.
The Splendid Fairy Wren couple,
and the Pink Robin are Pàpier-machè hand made sculptures accompanied with a cherry wood base and messmate.
In this time of self isolation, this group of birds want to bring the message that together we will get through this.
Keeping creativity and positivity up in the air.
The Splendid Fairy Wren couple,
and the Pink Robin are Pàpier-machè hand made sculptures accompanied with a cherry wood base and messmate.
In this time of self isolation, this group of birds want to bring the message that together we will get through this.
Keeping creativity and positivity up in the air.
Caroline Hawkins
Brendan Merriman
“Will I?” Every surfer has asked themselves the question, whether they are in the car park, on the water’s edge or standing on a rock ledge ready to launch into the surf. This question is usually asked when a rogue set rolls in which is way out of your comfort zone. “Will I” go or not every surfer worth there salt knows the answer. Just go for it and have a blast regardless.
This piece is made from 100% reclaimed materials, the base from a farm in SA, the wire from NSW, the board from a roadside in Torquay and the board from the ocean, love it.
This piece is made from 100% reclaimed materials, the base from a farm in SA, the wire from NSW, the board from a roadside in Torquay and the board from the ocean, love it.
Roy Johnson
Beryl Stott
Barbara Roe-Hebb
Since childhood, I have enjoyed the challenge of discovering how things are made.
Always intrigued by the complexities of working with raw materials, my rural beginnings gave me space to explore and experiment.
The main medium I work in is weaving on a floor loom. I am forever grateful to my Master Weaver Aunty for sharing her knowledge. Over the last few years I have been exploring fibre sculpting.
The whimsical nature of sculpting with textiles and natural fibres is constantly intriguing.
I have a keen interest in repurposing materials and giving them a second life. From used fabric and yarn, found objects; the potential for artistic expression with everyday items is virtually limitless.
Living on the Surfcoast draws parallels to my earlier rural life. The proximity to nature in all her glory and the amazing creative community are constant sources of inspiration.
During our 2020 period of enforced isolation, being at home in my studio or in the garden is great delight for me. I will embrace it as a time to finish projects or explore new ideas.
Always intrigued by the complexities of working with raw materials, my rural beginnings gave me space to explore and experiment.
The main medium I work in is weaving on a floor loom. I am forever grateful to my Master Weaver Aunty for sharing her knowledge. Over the last few years I have been exploring fibre sculpting.
The whimsical nature of sculpting with textiles and natural fibres is constantly intriguing.
I have a keen interest in repurposing materials and giving them a second life. From used fabric and yarn, found objects; the potential for artistic expression with everyday items is virtually limitless.
Living on the Surfcoast draws parallels to my earlier rural life. The proximity to nature in all her glory and the amazing creative community are constant sources of inspiration.
During our 2020 period of enforced isolation, being at home in my studio or in the garden is great delight for me. I will embrace it as a time to finish projects or explore new ideas.
When we are all caught up in things largely beyond our control looking to nature is often a solace and inspiration.
Like things caught up along the shoreline, let’s do what we can and wait for the next tide to bring in new hope across the world. |
Carolyn McKinnon
Lyn Dickson
Helen Hammond
Darren Matthews
Hand blown glass adjustable length necklace inspired by the colors of the ocean.
Playing with colours and shapes as I blow glass is a happy place for me that I never tire of going to. I am so thankful to have a home studio where that is still possible in current times. However, it is a bitter sweet pleasure as I think of what my glass artist friends in Venice, from which I have learnt so much, are suffering. |